Annual report · 2026-07-28
The Scare Index 2026
The Horror Database rates 3,700horror movies on eight calibrated scare axes — data that exists nowhere else. This report is what those numbers say in aggregate: which films frighten without a drop of blood, what stays with viewers longest, and how horror’s pacing has drifted decade by decade. Catalog-wide averages: intensity 2.8/5, gore 2.4/5.
Every figure is free to reproduce with a link to this page. Download the data (CSV) · Methodology
Horror that wrecks you without a drop of blood
Films rated 4/5 or higher on overall intensity while staying at 1/5 or lower on gore — proof the two dials are independent.
The Texas Chain Saw Massacre (1974) — intensity 5/5 with gore 1/5 on THDB's scales.
Funny Games (2008) — intensity 5/5 with gore 1/5 on THDB's scales.
Inland Empire (2006) — intensity 5/5 with gore 1/5 on THDB's scales.
The Lodge (2020) — intensity 5/5 with gore 1/5 on THDB's scales.
Possum (2018) — intensity 5/5 with gore 1/5 on THDB's scales.
The Conjuring (2013) — intensity 4/5 with gore 1/5 on THDB's scales.
Hokum (2026) — intensity 4/5 with gore 1/5 on THDB's scales.
The Conjuring 2 (2016) — intensity 4/5 with gore 1/5 on THDB's scales.
It Follows (2015) — intensity 4/5 with gore 1/5 on THDB's scales.
Psycho (1960) — intensity 4/5 with gore 1/5 on THDB's scales.
The films that stay with you longest
Ranked by lingering effect — THDB’s 0–5 measure of how long the dread persists after the credits.
Alien (1979) — lingering effect 5/5, overall intensity 5/5.
Midsommar (2019) — lingering effect 5/5, overall intensity 4/5.
The Shining (1980) — lingering effect 5/5, overall intensity 4/5.
The Exorcist (1973) — lingering effect 5/5, overall intensity 5/5.
Hereditary (2018) — lingering effect 5/5, overall intensity 5/5.
The Thing (1982) — lingering effect 5/5, overall intensity 5/5.
Psycho (1960) — lingering effect 5/5, overall intensity 4/5.
A Serbian Film (2010) — lingering effect 5/5, overall intensity 5/5.
Cannibal Holocaust (1980) — lingering effect 5/5, overall intensity 5/5.
Black Swan (2010) — lingering effect 5/5, overall intensity 5/5.
The most disturbing films in the catalog
The far end of THDB’s fun-scary↔disturbing spectrum — horror that troubles rather than thrills.
A Serbian Film (2010) — 100/100 toward disturbing, intensity 5/5.
Come and See (1985) — 100/100 toward disturbing, intensity 5/5.
The Human Centipede 2 (Full Sequence) (2011) — 100/100 toward disturbing, intensity 5/5.
Salò, or the 120 Days of Sodom (1976) — 100/100 toward disturbing, intensity 5/5.
Men Behind the Sun (1988) — 100/100 toward disturbing, intensity 5/5.
August Underground (2001) — 100/100 toward disturbing, intensity 5/5.
The Girl Next Door (2007) — 97/100 toward disturbing, intensity 5/5.
Slaughtered Vomit Dolls (2006) — 97/100 toward disturbing, intensity 5/5.
Aftermath (1994) — 97/100 toward disturbing, intensity 5/5.
Begotten (1991) — 97/100 toward disturbing, intensity 5/5.
Pacing drift: slow burn vs jump scares by decade
Average position on the slow-burn (0) ↔ jump-scare (100) spectrum for every profiled film, by release decade. Higher = more jump-scare-driven.
The most intense directors
Directors with at least three profiled films, ranked by average overall intensity.
Andrzej Żuławski — average intensity 5.0/5 across 3 films (gore 3.3/5).
Damien Leone — average intensity 4.8/5 across 5 films (gore 5.0/5).
Shinya Tsukamoto — average intensity 4.8/5 across 4 films (gore 3.3/5).
Veronika Franz — average intensity 4.7/5 across 3 films (gore 2.0/5).
Ari Aster — average intensity 4.7/5 across 3 films (gore 2.7/5).
Tom Six — average intensity 4.7/5 across 3 films (gore 4.3/5).
Severin Fiala — average intensity 4.7/5 across 3 films (gore 2.0/5).
Ruggero Deodato — average intensity 4.7/5 across 3 films (gore 4.3/5).
Fabrice Du Welz — average intensity 4.7/5 across 3 films (gore 2.3/5).
Timo Tjahjanto — average intensity 4.5/5 across 4 films (gore 4.5/5).
Source: The Horror Database (thehorrordatabase.com), 2026-07-28. Scare profiles are AI-generated against a fixed rubric and community-verified over time — see the methodology. Reproduce freely with attribution and a link (CC BY 4.0).